Hviid, Morten and Izquierdo Sanchez, Sofia and Jacques, Sabine (2017): Digitalisation and intermediaries in the music industry. Published in: CREATe Working Paper No. 2017/07 (1 March 2017)
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Abstract
Prior to digitalisation, the vertical structure of the market for recorded music could be described as a large number of artists [composers, lyricists and musicians] supplying creative expressions to a small number of larger record labels and publishers who funded, produced, and marketed the resulting recorded music to subsequently sell these works to consumers through a fragmented retail sector. We argue that digitalisation has led to a new structure in which the retail segment has also become concentrated. Such a structure, with successive oligopolistic segments, can lead to higher consumer prices through double marginalisation. We further question whether a combination of disintermediation of the record labels function combined with “self-publishing” by artists, will lead to the demise of powerful firms in the record label segment, thus shifting market power from the record label and publisher segment to the retail segment, rather than increasing the number of segments with market power.
Item Type: | MPRA Paper |
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Original Title: | Digitalisation and intermediaries in the music industry |
Language: | English |
Keywords: | Streaming; self publishing; music industry |
Subjects: | K - Law and Economics > K0 - General K - Law and Economics > K2 - Regulation and Business Law O - Economic Development, Innovation, Technological Change, and Growth > O3 - Innovation ; Research and Development ; Technological Change ; Intellectual Property Rights > O34 - Intellectual Property and Intellectual Capital |
Item ID: | 79018 |
Depositing User: | Dr. Sofia Izquierdo Sanchez |
Date Deposited: | 09 May 2017 06:32 |
Last Modified: | 31 Jul 2020 08:55 |
References: | Elkin-Koren, N. “The Changing Nature of Books and the Uneasy Case for Copyright”, 79 George Washington Law Review 101-133 (2010-2011) Harrison, A. Music: the business (Virgin Books, 6th ed., 2014) pp. 184-188 Hugenholtz, P.B., ‘Adapting copyright to the information superhighway’ in The Future of Copyright in a Digital Environment (Kluwer Law International, 1996), p. 84 Hviid, M., Sofia Izquierdo Sanchez and Sabine Jacques, “From publishers to self-publishing: The disruptive effects of digitalisation on the book industry”, CREATe working paper, 2017/06. Kusek, D. and G. Leonhard, The future of music: Manifesto for the digital music revolution (Berklee Press, 2005), pp.171-173. Kretschmer, K., GM. Klimis and R. Wallis, ‘The Changing Location of Intellectual Property Rights in Music: A Study of Music Publishers, Collecting Societies and Media Conglomerates’ (1999) 17 Prometheus: Critical Studies in Innovation, p. 178 Raymond R Wile, ‘The Launching of The Gramophone in America 1890-1896’ (1993) 24(2) ARSC Journal, 176-192. Wallis, R. ‘Copyright and the composer’ in S. Firth and L. Marshall (eds), Music and Copyright (Edinburgh University Press, 2004), p. 110 Witt, S., How music got free (Penguin Random House, 2015) chapter 1 Zepeda, L. M. ‘A&M records, Inc v. Napster, Inc.’ (2002) 17(1) Berkeley Tech. L. J. 71-90 |
URI: | https://mpra.ub.uni-muenchen.de/id/eprint/79018 |